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Ethnomusicology

Cuba has a unique musical and cultural foundation. With it's blend of African and European culture, music is a fusion of the rythmic concepts of Africa and the harmonic concepts of Europe.

Ethnomusicology is the study of music in its cultural context and inside these pages you will discover the world of Cuban music and instruments. Unlike the usual information you may find elsewhere, these pages will emphasize both the cultural and practical. Many myths and misinformation will be discussed as well as examples and practical usage of Cuban musical instruments, Cuban musical styles and Cuban cultural issues that affect Cuban Music.

Nengon - The first form of son in Cuba PDF Print E-mail
Written by Jon Griffin   
Friday, 06 June 2008 15:50

Nengon - The first form of son in Cuba

By Jon Griffin

Description

Nengon was the precursor to both Son and Changüi. It evolved into Son in Santiago de Cuba and Changüi (when it fused with Kiriba) in Guantanamo province.

Nengon was traditionally played with a Tingotalango or Tumbandera. Basically the Tingotalango is made from a tree which has a rope tied to it and pulled down. The other end is then tied to a rock in a hole functioning as a Contra-Bass. Of course, the Marimbula took over after it's invention and eventually the Bass was used.

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