The family of batá consists of three drums of different sizes denominated from major to minor. They are the Iyá, Itótele and Okónkolo. The resonance boxes have an hourglass shape and possess two drumheads of different diameters whose skins are tightened through a system of longitudinal strings (from one drumhead to another). These strings are tightened at the surface of drum body by other transverse strings. To play the batá, it is placed horizontally and both drumheads are struck with the palms of the hands in different combinations.

The Iyá drum is fixed with two strap trails of skin with rattles and bells around both drumheads. A red resinous substance of ritual significance, fardela, is placed on the center of the major head, modifying the vibrations of the drumhead when struck.

The batá drums possess a secret or añá; they are objects of special cults and should be played only by men, referred to as Olú-batá, who are especially initiated for this function.

The batá ensembles in Cuba are found fundamentally around the western region from where one finds excellent players and soloists.

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